Do n’t move and say “break the dimension wall”, there is no wall in aesthetic standards 丨 Entertainment Theory

Do n’t move and say “break the dimension wall”, there is no wall in aesthetic standards 丨 Entertainment Theory
Ultraman and Marvel launched a linked comic, the dimension wall is broken!Zhou Shen and Li Keqin sang “Wild wolf disco”, the dimension wall broke . Time returned to the end of 2018, and pictures of Xu Jinjiang suddenly circulated on the Internet. Some people said that the so-called Santa Claus is a white-bearded old man in a red hat, not “Jiupin Sesame Officer”The Leopard played by Xu Jinjiang.Netizens took Xu Jinjiang’s stills to perform various carnival parody, transformation, and ruined him.Xu Jinjiang is a traditional film and television actor, becoming a popular station B, is considered a spectacle that broke the dimension wall.Similarly, Ji Xiaolan and He Shen were forcibly tied as CP by the barrage, and female old student Wang Jieyu was sought after in the mid-90s, both of which are considered to break through the dimension wall.The image of Xu Jinjiang’s red hat and white beard in “Nine Pin Sesame Officer” is considered to be the same as Santa Claus.The so-called dimension wall is a concept from Japan, mainly referring to the passage between the two-dimensional animation world and the three-dimensional real world.Later, this concept was enlarged into a clear distinction between different audiences and people with different concepts.In particular, some subculture groups have been able to gather in the Internet age, soothe each other, embrace groups, and jointly resist external prejudice and hostility, and form their own vocabulary and construct their own small culture.Gradually, the people of all circles showed a trend of socialization, and began to contact offline.It turned out that it was just a self-motivated enclosure, and it was uncontested with the world. Some people’s original intention was to build a dimension wall to protect themselves.The establishment of the dimensional wall has brought together people with similar interests. However, when the situation changes, some circles start to dissatisfy the circle and start to see people outside the wall are not pleasing, and they must break the wall actively.In recent years, in culture, some subcultures have broken walls and started to turn into defense.In terms of film and television culture, this problem is more prominent.The impact of ideas in the aesthetic field has emerged, negating the three-dimensional culture, defining the three-dimensional as “elderly, outdated”, highlighting the contempt chain inside and outside the dimension wall, the robe replaces the traditional aesthetic standards, and establishes a foundation based on Internet culture”New Aesthetics”.It is the cultural posture of “secondary element” in these years to recognize that it is naturally advanced in culture.The 2017 movie “Flash Girl” claims to be a movie that expresses a two-dimensional culture. The film marketer launched a slogan “No entry for people over the age of 24”.Not to mention the fallacies of the marketing party’s perception of the film market, just look at its aggressive offensive posture, and display an inexplicable contempt for the outside of the dimension, the obvious “cultural confidence” is amazing.2 in “Flash Girl”5th dimensional band (some people think of themselves as a second dimensional circle, there are also three dimensional players).Any confidence comes from victory.We can’t help but ask, what is the “victory” of the young people in these encircled dimensions.Of course not the superiority and inferiority of culture, but from the blessing of capital.According to data, China ‘s secondary users have more than 3 billion users, and Internet giants such as BAT have strategically deployed in the field of secondary yuan, with a lot of capital and financial support, incubating domestic animation and games, and consolidating the audiences after the 90s.Film and television content is expanded.With the listing of B standing in the United States, it also marks that the excitement of the secondary market has just begun.Let ‘s look at the situation of Japan, the country that created the Yuan Dynasty. Japan ‘s various subcultures have sprung up vigorously. Over time, the circle has become smaller, more and more, and more and more fragmented, reflected in the filmIt is because the market has been divided into smaller and smaller parts, and eventually the nationwide market has been lost. In the world, Japanese movies, especially commercial genres, have lost their place of replacement.Movies and long videos need to be more popular than others. At present, people outside of the dimensional wall are gradually changing in aesthetic style, younger aesthetics, paying attention to face value, de-depthness, and decentralization.The mass loss of the audience.It has to be said that from an industrial perspective, this is a trend worthy of vigilance.Interestingly, Jay Chou has the most news about breaking the dimensional wall. If a person always breaks through the dimensional wall, it means that this person actually has no “wall”.Aesthetically, there is no so-called circle layer standard, and the circle layer evaluation system is of no value in the aesthetic standard system.”The Romance of the Three Kingdoms” and “Game of Thrones” are the same aesthetic standard. The directors of “Avatar” and “Titanic” are both Cameron, different dimensions, but the same aesthetic standard is evaluated for their films.In the final analysis, it is artistic quality.The movie posters of “Titanic” and “Avatar” have different styles.Film and television works, and even a considerable part of them are popular texts. In popular texts, there are also aesthetic standards for artistic quality and viewing.Various subcultures, whether broken or not broken, the aesthetic standards that humans have formed for thousands of years cannot be overturned. No matter how science is developed, the Pythagorean theorem and Archimedes ‘principle will not change.What they clearly pointed out is that people who indulge in self-hypnosis and mutual appreciation in circle culture do not seem to understand this.In cultural products, in literary and artistic creation, labeling should be avoided, and the so-called two-dimensional label or a circle of labels should be voluntarily attached to the label. The label cannot replace the content. The attempt to use the label “advanced” to be equivalent to the workThe advanced product is self-deception.What’s more, this concept of dimension wall is just a phenomenon. In some cultures, it has nothing to do with advanced.Of course, Engels proposed that the standards of literary criticism include aesthetic standards and historical standards. For circle culture, the concept of “breaking the wall” should also adopt historical standards when carrying out literary criticism, fully considering its specific era environment and cultural background.Especially the current Internet culture and the special form of youth culture can make more comprehensive and objective criticism.□ Wang Hailin (screenwriter) Editor of Sauna Night Net Wu Longzhen proofreading Li Xiangling

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